Symbolism in the modern short story in Palestinian literature: Rāwiah Burbārah and the “white transparent” an example

This critical article deals with the issue of symbolism, as its transparent employment is evident in modern Palestinian short story writer, Rāwiah Burbārah, through her production collection stories “Shaqā`iq Al-`Asīl” published 2007. The research focuses on a selected from aforementioned group, which white transparent, symbolic reading, to defining features symbolism. Symbolism prominent story, narrator employs symbolism integrated concept, using it express his thoughts and visions within elements so he enters building writer’s style formulation fictional text, adding space intended gaps ambiguity moving away declarative specific, that writer makes text Literary evasive clever presentation, structure plot, calling readers implement all they possess interpretation, deconstruction composition order reach deeper optimal understanding cause, what aims achieve. considered one creative writers field writing kinds. A few scholars have paid attention stories, are collected two collections: "Shaqā`iq Al-`Asīl" 2007, "Min Mashī`at Jasad" 2008. Therefore, this complementary What has been written about role concerned approach present first collection, answer central question: for “The White Transparent”?